Kodak No 3A Series II Manual (38 Sider)

Picture

taklllg

with

the

No.

3A

I(odal~

Series

II

Kodak

Anastigmat

Lens

1.4.5

SERVICE

DEPARTMENT

ADDI

TIO::\AL

A

SSISTA::\CE

F

OR

MAK

I

NG

B

ETTER

P

ICTt:

R

ES

A

LTH

O

"C

GH

we

gi,-e in t s m anual t he hi

esse

nti

al directions

fo

r us t he cam-ing

era

it

accompa

ni

es,

there

are a

mate

ur

s o wh

wish fufor

rth

er k of ph ranO\Yledge otog

ph

y

The

S

en'

ice

Departme

nt is

at

their

service, your sen -ice.

Do n

ot

h ies

tate

to

call on us for in

fo

r

ma

-

tion on any

ph

otographic

s eubj

ct

.

"Y

Ve are

at

your

en

tice. uTite

to

tis-

there

is

no

charge, no obligat

ion

.

. -\ddre all C tom munica ions

S E

RYI

CE

DEP

.....

RT

:\iE

N T

EASTMAK

E

OD

AE:

C

OMPAN

Y

RO

CH

ESTE

R ,

~

Y., U

S.

A .

Pteture

taktng

wtth

the

No.

3A

I(odal(

Series

II

Kodak

Anastigmat

Lens

fA.5

Publi

shed by

EASTMAN

KODAK

CO::\

IPAKY

,

RO

CHESTER,

N Y

THE

CAMERA

2

3

14

18

c

16

2

I-Lock

for Back

ll-M

eta

l

Frame

Finder

2-Spoo

l Pins I2

-1

Support

fo

r l Vertica

Time

3-B

u

tton

for Opening

the

Exposures

Front

I3-8upport

for Horizontal

4-

Handle

for Drawing

Time

Exposures

out

Lens

Standard

I4-Tripod

Socket

5- Lens

Standard

I5

- Bed

6-Focusing

Lever

I6

- Bed Brace

7- Focusing Scale I7- Winding

Key

8-Sh

u

tter

IS-8pring

Catch

and

Milled

9-Leps

, uScrew for Adj stiIlg

the

l O- View

Finder

Rising

Front

A- ' Collar for Regulating Speed

B-Stop

Opening

Pointer

C- Exposure Lever

D-Cable

Release

E-Setting

Lever ·

IM

PORT

ANT

B

EFO

RE

loading your

Kodak

with film,

and

be-

fore

ta

king

any

pictures with it, read these in-

st

ruc

tion carefully

Take

especial care to learn

h

o'i\"

to

ope

rate

the

shutter

While loading

and

unloading, be

very

careful

to

keep

the

protect

ive paper wound

tightly

around

the

film to preve

nt

light striking it.

The

Kodak

can be

loaded or unloaded in daylight.

This

should be

done

in

a s t lubdued light, not in direc sun ight.

To

LO

AD

se film

number

V 122, 122, SS F

122

or

122

for

the Jo. 3A

Kodak

Series

II.

Push

t he

button

of

the

lock under

the

carrying

handle in t he direction of

the

arrow

and

open

the

back.

3

Draw

out

the

spool

pins, in

the

end op-

posite

the

ca

rrying

hand

le

and

insert

the

roll of film into t he re-

cess.

Make

sure

that

the

word

"TOP"

on

the

paper

is on

the

same

sid

'e

as

the

winding key, see illus-

trations

on page

4.

Push

back

the

spool

pins, so

that

they

en-

ter

the

holes in

the

ends of

the

spool.

4-Pictur

e taking

wi

t h t he

Remove

the

pa ba and pper nd ass

the

protective

paper

over

the

t

wo

ro erll

s.

Thr

ead t he

paper

into

the

longer slit in t he emp

ty

r l ee

as

far

as

it will

go,

see illu

stration

below

Turn

the

key

once

or t wice to bind

the

pa per on

the

reel.

The

paper

must

draw

straight,

see

t

he

illustration

at

t op

of

~

page

5.

10

e t he

back

,

pr

e i it so t hng

at

the

p

ring

10 c k

sn

ap

into place,

secu

rely

fas

te

nin

g

t he

back

.

Pu

h t he ro

und

sli

de

t h

at

cove

r s

t he r on ed window

t h e

bac

k

of

t h e

K

odak

in t he di -rec

tion the aof

rr

ow

Pr

e s in a

nd

t

urn

the

TI"i

nding key,

w

atc

hing t he d re

No.

3A

K od

ak

Series

II

-

f)

window After a tfew

urn

s, a wa

rnin

g ha

nd

will

ap

pea

l'

, t h ten

urn

slowly

un

t t he il

fi

g-

ur

e 1 in the is

ce

n

te

r of t he window

Pu

sh b

ack

t he s e r t red lid ove he

wind T h s e ow is lid

pr

even

ts

f g g og in

Sup

er nsiti Pa omSe ve nchr

at

ic a

nd

Pan

ato

mic F , ailm

nd

ma

k it es un-

n ry ecessa

to

u t he ase

dh

esi fave bric

inc with h ro these luded eac ll of

fil

ms.

Th

e is n in p ition t he film ow os for fir

st

expos

ur

e.

Af

ter

ea

ch pex os

ur

e be s

ur

e

to

wind t he film,

brin

g-

ing the next

numb

er into p ition . os

Thi

s

pr

even

ts

ma g tkin

wo

pi

ct

ur

es on t he sa ion of . me sect film

6- e Pictul'

taking

wi

th

e

OPENING

THE

FRONT

Press

the

button

and

pull

down

the

bed of

the

camera.

Draw

out

the

lens

st

a

ndard

as far as

it

will come,

by

the

handle

at

the

bot-

tom

of

the

standard,

see

illu

stration

below Lock

the

standard

in posit ion

by

pushing

up

the

han-

dle.

The

Kodak

is now in

focus for

distant

objec

ts

,

anything

about

100 feet

or beyond, see

table

on

page

12.

To

Focus

THE

KODAK

The

No. K odak 3A Series

II

has a focusing

scale a

nd

simple

act

ing

l r deve evice for quick

and

acc

ur

ate

fo

cusing.

T he fo scu ing scale on

the mca era bed is

marked

for

6,

8, 10, 12, 15,

25, 50 feet,

and

CXl

( tInfini y)

8- cPi

tur

e taking with

the

THE

SHUTTER

The

Compur

Shutter

i

marked

for

making

expo-

s of 1 ures seco

nd

and

1/ 1/2,

5,

1/ 1/ 1/ 1/10, 25, 50, 100

and

1/200 second, as well

as

Time

a

nd

"Bulb"

Exposures.

G F

B

Revolve

the

knurled collar

A.

on

the

front

of t he

s

hutter

until

the t he figure representing

time

of

exposure desired is

at

t he white

pointer

F

Exposure

s of

intermedi

ate

speeds can be made

from 1 second

to

1/ 1/100 (except between

10

and

1/ ) 25

by

sett

ing t he

shutter

between

the

exposure

number

s t son he

hu

tter,

t s an hu exposure of 1/75

second is

mad

e

by

t

urnin

g the

knur

led collar

so

that

t he whi

te

poin

te

r F is

midway

between 1/50

and

1/100.

Intermedi

ate

exposures can

not

be made

b

et

w n 1/ee 100

and

1/200 second.

For

a 1 1/ll exposures from second to 200 second

t he s

hut

te

r

must

be

se

t

by

pressing t he l r E eve

towa

rd

s the

top

of t he s

hutter

The

expos

ur

e is

IO

-P

ictur

e taking with the

S

TOP

OPE

INGS

The

stop

openings regul

ate

t he a

mount

of l

ight

passing

through

t lens. he

The

openings are en-

larged or reduced

by

moving t he pointer B, see

illustration, page

8.

fA.S

- For exposures of moving objects on

gray

days, use 1/100 second, for

portraits

in

d

oo

r

s,

see

page use 24, 1/

10

second, when t he light is very

bright

.

For

outdoor

subjects on cloudy days

and

during

rain

in

the

middle of

the

day, use 1/50 second.

For

exposures early or l

ate

on clear days u 1/se 50

second, if on a 1/cloudy day, use

25

second.

Important:

When u or sing f.4.5 f.5.6,

and

the

distance between

subject

and

came

ra

is

ten

feet

or

less,

the

distance

mu

st

be

accurate

ly

measured as

the

depth

of focus is limited, ee

ta

ble on page 12.

f.S

.6- For

portrai

ture, see pages

24

and

26

.

For

exposures of rapidly moving objec

ts

in

sun

light use

1/200 second.

For

cloudy days

an

d during rain in

the

middle of

the

day, use 1/

25

seco

nd

.

For

por-

traits

and

groups in open the shade, use 1/

25

second,

see page

26.

f.S

- For i

nstan

ta

neous exposures on slightly

cloudy

or

hazy

day

s,

use 1/

25

second.

For

scenes on

narrow

and

sl t 1/igh ly shaded treets, use

25

second.

For

moving objects in yery

bright

sunlight, use

1/100 second.

f

ll

-

For

all ordinary outdoor pictures, such as

nearby

landscapes showing li

tt

le or no sky, groups

and

street

scenes, when

the

subject

is

in

bright s

un

-

light, use 1/

25

second.

f.16

- For open views, when t he sunlight on

the

subject

is unusually strong

and

t hhere are no

eavy

shadows, such as views

at

t he seashore

and

on

the

No.

3A

Kodak

Series

II

-

l1

w

ate

r, u 1/se

50

second, for

ordinary

landscapes, in

bright sunlight, with clear

sky

overhead, use 1/25

second, al for so

Interior

Time

Exposures,

the

time

for which is given in

the

table

on page 25.

f.22 -

For

instantaneous exposures of extremely

di

stant

landscapes, marines, snow scenes

without

promine

nt

dark

objects in

the

foreground,

and

clouds o 1/nly, in bright sunlight, use

25

second,

al

so

for

Time

Exposures.

f.32-

For

Time

Exposures Outdoors on cloudy

days, see

ta

ble on page 28.

For

Interior

Time

Expo-

s

ur

es, see page 25. Never for instantaneous exposures.

Failure will result, if sto p is u d f.32 se for instan-

taneous exposures.

The

smaller

the

stop opening

the

greater

the

dept h s of focus, see page 12

and

13.

All exposures given for for outdoor subjects are

the

ho

ur

s from one hour

after

sunrise

until

one hour

before sunset, when using

Kodak

Verichrome,

Super Sensitive Panchromatic or Panatomic Film.

If

Kodak N

C.

Film is used,

ex

po

sures can be made

from 272 hours

after

sunrise

un

t

il

272 hours before

sunset.

If

earlier or la

te

r, t he s s expo ure

must

be

longer

For

a subject in

the

shade,

under

t a he roof of

porch, or

under

a a tree, time exposure

must

be

m . ade, see page 28 When making pictures

under

these

co

nditions,

the

camera

must

be placed on

some

stea

dy, firm support.

DEPTH

OF

Focus

Depth

of focus is

the

distance from

the

nearest to

the fart hest objects

that

will

appear

sharp in

the

Depth

of Focus for Different

Stop

Openin

By

" dep

th

of focus" is

mean

t

the

di

sta

nce in

front

of

and

focused on, within which

detai

ls

in

the

pictur

e be swill

harp

a

STOPS f.4.5 f.5.6

f.8

f.11

f.16

Di

sta

nce

RAN

G I

;;

OF

SHAUPN

I;;SS

Focused

Upo

n

ft

. . fft t. ft. ft. ft. f ft. t. fl. ft.

fL

(X)

(

Inf.)

1 149 to inf. 20 lo inf.

S4

lo inf. 61

Lo

inf. -12 lo inf. 3

50 ft . 37 to 75

35:\

lo 85

:H

lo 1

2:3

27.:

Lo

inf.

22~

lo inf. I

25 "

2

1

~

to 30

20~

Lo

:n~

19 lo

35~

17

::

Lo

-12:\

1

5~

lo

(j2

1

15 "

1

3~

to 1

61

1

3~

to

17

12 1 : to 8, 12

Lo

20

11

lo

2i!~

1

12 "

11

to

13

10

~

to

1:

3~

10

to to 14 10 15

9~

to 16 ::

10 " 9·}

to

10i

9t

to

10

~

9 to

11

1 8}

to

12 8 to 13

8 " 7t to

8!

7!

to

8t

7ito

8~

7

to

9t

6i

to 10

6 " 5i

to

6t

5tto

61

.5

! to

6!

5Ho

6~

·

5ito

7

" I " the nf. is

abbreviation

for I

nfinity-meaning

an

un

li

mited dis

tan

No. 3A Kodak Series

II

- 13

n or egative print.

It

depends

upon

the

distance be-

tween t he s

ubject

and

lens,

the

focal

length

of

the

lens

and

t he s t p ize of he sto opening used.

The

smaller

the

stop opening

the

greater

the

depth

of

focus. See t p the table on age 12 for he

depth

of

focus

or

range of of sha s rpnes

the

No. 3A

Kodak

Series

II.

THE

"i."

SYSTEM

A lens is

sa

id

to

work

at

a certain

"speed;"

this

means t h

at

t a she lens will give

harp

image from

corner

to

corner of

the

film, with an a opening cer-

tain

prop

ort

ion of

its

focal length.

The

focal

length

is t he distance between

the

lens

and

the

film when

t he

Kodak

is focused for infinity

It

should be

borne clea

rly

in mind t

ha

t t s hi

"s

peed" depends not

upon

the

s e tiz of he opening,

but

upon

the

size of

the g openin

in

p

ro

port

ion

to

the fo

ca

l length

of

the

lens.

The

lens

that

will give

sharp

images with

the

l ope is argest ning said to

have

the

greatest

"speed

."

The

proportional size

or

"value"

of

the

stop

open-

ing is designated

by

t he

"f"

number

a

nd

is

the

quo-

t ient

obtai

ned

by

dividing the al lefoc

ngth

of t he

lens

by

t he t he odiameter of pening.

14-

Pictur

e

taking

with

the

:Fa

.T

.

II

.f

/6

.:r

22

COPYRIGH T

]922

BY

EA

T.\IAN

KODAK

COMPANY

Th

ese circles are

the

same s e t he iz as

stop

open-

ings of

the

s

hu

tter

u the sed on No. 3A

Kodak

Series

II

.

They

cl

early

show t he rel

at

ive s s ize of

t p he sto openings

and

how

the

ir

areas differ

No.

3A

Kod

ak

Series

II

-

15

THE

VIEW FINDER

The

view finder above

the

shutter

shows

what

will

appea

r in

the

picture,

but

on a

much

reduced

scale. See diagrams of

the

to

p of finder shown below

and

on page

17

Look into

the

finder from directly over

the

center

of

it

and

include

what

is

wanted

by

turning

to

the

right

or l , eft see illu

stration

on page

16.

To

make a tvertical pic ure, hold 0

the

Kodak

as shown above. Only

what

is t hseen in

at

part

of

the

finder shown as white

in

the

dia-

gram, will

appear

in

the

picture.

16- Pi

ct

ur

e

taking

with

ti

l('

When

ma king in

stantaneous

exposures

or

snap-

shots

with

any

Kodak,

hold

it

firmly

against

the

body

as shown, or

against

the face if using

the

meta

l

frame finder

When

pressing

the

push

-pin or

the

exposure lever, hold

the

breath

for t he

instant.

If

the

Kodak

is moved during

the

exposure,

the

pic-

t

ure

will be blurred.

o.

3A

Kodak Series -1I

17

To

make a horizontal picture,

turn

the

finder

and

hold

the

Kodak

as shown above. Only

what

is seen

in

that

part

of

the

finder shown as

white in

the

diagram,

at

the

left,

will

appear

in

the

picture.

THE

METAL

FRAME

FINDER

In

addition

to

the

brilliant view finder

the

camera

is equipped with a metal frame finder 11, page

2,

attached

to

the

side of

the

Kodak. To use

this

finder raise

the

rear frame

by

the

button

and

both

parts

of

the

finder will spring into position. Hold

the

camera with

the

sight or rear frame as close

to

the

eye as possible with

the

camera held firmly

against

the

face,

and

frame

the

picture within

the

front frame of

the

finder All vertical lines in

the

subject should be

kept

parallel with

the

vertical

sides of this frame, when holding

the

camera either

in

the

vertical or horizontal position.

IS-

Pictur

e witaking

th

e

MAKING

INST

ANTANEOUS

EXPOSURES

OR

S NA

PSHOTS

Wh

en ordin

ary

instantaneous

expos

ur

es or

snap-

s

hot

s are made,

the

s ld ubj ect hou be

in

t he broad,

open sunli

ght,

but

the

camera

must

not.

The

sun

should be behind

your

back

or

over

the

shoulder

If

it

shines direct ly

into

the

l it ens will blur

and

fog

the

pict

ur

e.

For

obtaining

back

-

or

side-lighted

pictures u a se

Kod

ak

Adjustab

le Lens

Hood

No. 2

(price 75 cents)

Special

in

str

uctions for

mak

ing

portraits

are

gi

ven on pages

24

to

27

HOLD

THE

KOD

AK

LEVEL

Effect produced by tilting the Kodak.

The

Kodak

mu

st

be he lld evel.

If

all

the

subject

cannot

be included

in

t he hofinder wit

ut

tilting

the

lens upwards, move backwards

until

it

is all in-

cluded with the camera held l

eve

l. See illustration,

above.

No.

3A

Kodak

Series

II

-

19

If

t he _subject is below

the

normal height, like a

small child or a dog,

the

Kodak

should be held down

level with

the

center of

the

subject.

After

an

exposure has been

made, press in

and

t

urn

the

winding

key

s a lowly, few times,

un

til

No.2

(or

the

next number)

is in

the

center of

the

red window

CLOSING THE

KODAK

To close t he Kodak, first move

the

focusing lever

back as far as

it

will

go.

Unlock

the

lens

standard

by

pushing down on

the

handle

at

the

bottom

of

the

standard

and

s e lid

it

back as far as

it

will

go.

Place

the

cable release around

the

shutter,

press down t he

bed braces on each side of

the

standard,

and

raise

the bed as shown below

The

finder

must

be in

the

position for making a

vertical picture,

the

lens properly centered if

the

rising front has been used

and

the

lens

standard

20

-

Pictur

e taking with

the

pushed

back

as as far it will go.

DQ

not

make

too

sharp

a

bend

in t he cable release, or

it

may

kink.

R EMOVING THE

FILM

After

the

la

st

section of film has been exposed,

turn

the

winding key

un

t

il

the end of

the

paper

passes

the

red window

In

a

subdued

light topen he back as shown on

page 3,

and

holding

the

paper

ta

u

t,

t

urn

the

key

until

all

the

paper is the r oon ll, see

illustration

above.

If

the

sticker folds

un

der t he roll,

turn

the

winding

key

to

bring it

up

.

Draw

out

the

spool pin

and

winding

key

and

remove

the

roll of film,

by

taking

hold of

the

pro-

tective

paper

and

the

st

icker,

pr

eve

nting

the

paper

from loosening. See illustration

at

top

of page 21.

Fold

under

about

half-an-inch of

the

protective

paper

and

fasten

it

wi

th t he r sticke

"Cinch" Mark

s:

A

fter

rem

oving

the

film from

the

Kodak,

do

not

wind

it

t tigh

ly

wi

th a twisting

motion, or

the

film might rbe sc

atc

hed.

Wrap

up

the

exposed film.

It

is now

ready

for

developmen

t.

This

m

ay

be done

by

a

photo

fin-

No. 3A

Kodak

Series

11

-

21

isher, or

by

yourself. Our Service

Department

will be glad

to

send you,

up

on

request, complete

instructions for developing

and

printing.

Important:

Film should be developed as soon

as possible

after

exposure.

The

quality

of

the

image

on all sensitized

products

is

retained

by

prompt

development

after

exposure.

~

Take

out

the

empty

spoo

l,

first drawing

out

the

spool pins which hold

it

in place.

22

-

Picture

taking

with

th

e

Slip t he

empty

spool

into

place

at

th

'e winding

e

nd

of

the

camera,

wi

t h t slhe

ot

-

ted

end

of

the

spool

Draw

out

the

key

to allow

the

s ol po

to

drop

into

place,

and

fit

the

web on

the

key

into

the

slot in

the

e

nd

of spool,

see

the

lower illustr

ation

on page 21.

Push

the

spool

into

the

hole in

the

opposite d en of

the

spool.

The

camera

is now

ready

for reloading.

It

is a good pl

an

to

reload

the

Kodak

as soon as

an

exposed film has been removed,

to

be

ready

for

the

For

the

best results, load with

Kodak

Film.

TIME

EXPOSURES-INDOORS

ForTimeEx-r

posures

and

for

a

ll

exposures

~

..

longer

than

1/25 second, al-

ways place

the

Kodak

on some

firm s

uppor

t,

like a tripod, Optipod,

table or chair, never hold

it

in

the

hand

s.

The

Kodak

has

two

tripod

sockets for use with a

tripod, an a Optipod, or

Kodapod.

The

screws in

the

tripod

sockets can be

removed

and

replaced

with a

thin

coin.

Pl

ace

the

Kodak

so

that

the

finder will in-

clude

the

view desired

then focus

the

camera.

!

01

OJ

Diagmm showing

po

si

tions

for Kodak.

No.

3A

Kodak

Series

II

-

23

This diagram shows

three

positions for

the

Kodak.

It

should

not

be

pointed directly

at

a win-

dow, as

the

glare of light

may

blur

the

picture.

For

a vertical picture, raise

the

name-plate

12,

page

2,

on

the

bed,

and

place

the

Kodak

on a table

or

chair See

illustration

on page 22. Do

not

place

the

Kodak

more

than

two or

three

inches from

the the edge of

table

or

chair

To

make a horizontal picture with

the

Kodak

on

a table,

turn

the

support

13, page

2,

on

the

edge of

the

bed of

the

camera,

turn

the

finder,

and

place

the

Kodak

as shown above.

Adjust

the

shutter

for a Time Exposure, as

described on page

9.

All being ready, press

the

push-pin of

the

cable

24-

Picture

taking

with

th

e

release,

or

press

the

exposure l r eve carefully, once

to

open, time t he exposure

by

a watch,

and

again

press

the

pu

sh-pin

or

exposure lever

to

close

the

s

hut

te

r

After ma a king

time

exposure, t

urn

the

winding

key

until

the

appea

rs in

the

red

window

If

no more t e im expos

ur

es are to be made,

adjust

the

shutter

for an

instantaneous

exposure,

see page

8.

Th

e exposures given on page

25

are for rooms

where windows get

the

direct

li

ght

from

the

sky,

a

nd

for

the

hours from

th

r r ee hours afte sunrise,

un

t til hree

hour

s e . befor sunset

If

ear

lier

or

later,

t he exposures

must

be longer

To

MAKE

A

PORTRAIT

The

s

ubject

should be a seated in chair

partly

facing

the

light with t y the bod

urn

ed slightly

away

from, a

nd

the

face

turned

towa

rd

s t he

Kodak

which

should be a little higher

than

an

ordinary

table.

The

s

ubject

should look

at

an obj ect level with

the

lens

or

directly

at

the

len

s.

Compose t he picture

in

the

finder

For

a

three-quarter

figure t he

Kodak

should

be a

bout

eight feet from t he subj

ect,

a

nd

for a full-

lengt h figure,

about

ten

feet.

The

background

s a hould form

contr

ast

with t he s

ubject,

a t ligh

b a ackground usually gives

better

effect

than

a

da

rk

one.

More pleasing results are

obta

in

ed if

the

back-

ground a

nd

surrounding objects are

not

quite

so

s

harp

and

clear as

the

f . ace

This

effect is obtained

by

using a large

stop

opening, f.4.5 or f.5.6.

With

these stops make

an

exposure of

about

1/

10

second.

When u

si

ng

stopf.4.5

or f.5.6, t he . distance between

the

s

ubject

and

the

lens

mu

st

be carefully measured,

see

Depth

of Focus

Table

on page

12.

No. 3A

Kod

ak

Series

II

- 25

Exposure

Table

for Interiors

The

following

ta

ble gives sui

ta

ble exposures under

varying

conditions of light when using stop f

16

,

which gives

the

be

st

average results for interiors

BRI

GH'l'

HAZY

CLOUDY CLOUDY

SUN SUN

B

RIGHT

DULL

White walls and more 4 s s . ee

10

s s . ee 20 see

s.

40 s s. ee

than

one window

White

walls

and

o

nly

6 sees. 15 sees.

30

sees. 1 . min

one window

Medium

colored

wa

ll

s

and

furnishings and 8 s . ees 20 see

s.

40 s s. ee 1 min.

more

tha

n one win- 20 sees.

dow

----

Medium colored walls

and

furnishings and 12 s s. ee 30 s s . ee 1 min. 2 mins.

only one window

----

Da

rk

co

lored wa

ll

s

and

f shinurni gs

and

20 s s. 40 s. ee see 1 min.

2min

s.

more

than

one win- 20 s s . ee 40 se . es

dow

----

D

ark

colored walls 1 2 s . min. min 5 s. min

a

nd

furni

sh

ings a snd 40 ees. 20 sees. 40 sees . 20 s s. ee

only one

wi

ndow

With

stop -f.4.5 give one twelfth,

"

"f.5.6"

one-e tigh

h,

"

"f.8

" one ar r , -qu te

"

"f

11

" one-half,

"

"f.22

" twice,

"

"f.32

" four times

t he pex

os

ur

es gi n the ve in

tab

l

e.

Th

e sma t p the gr r t he ller he sto opening eate

depth

of

focu

s,

see pages 11,

12

a 13. nd

Mærke:	Kodak
Kategori:	Kamera
Model:	No 3A Series II

Kodak No 3A Series II Manual

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