L.R.Baggs Para Acoustic D.I. Manual

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Side 1/2

U S E R ' S G U I D E

L . R . B A G G S P R E A M P S

P A R A A C O U S T I C D . I .

4 8 3 N . F R O N T A G E R D .

N I P O M O , C A 9 3 4 4 4

W W W . L R B A G G S . C O M

1 . C O N T O L SR

A. Low EQ band control (85Hz): Very low bass, almost felt as much as heard.

B. Notch control and tune knob (98 to 247Hz): Designed primarily to help

with feedback problems. For example, if a particular string is starting to

feedback or produce a booming sound, you can use the notch to cut out the

problem frequency. The tune knob is marked with four positions, each

representing a note on the scale, to help find the problem frequency. Try

boosting the notch control (turn completely clockwise) and sweeping the tune

knob until the feedback is at it's worst. Then turn the notch control back

towards "cut" (counter-clockwise). Cut only enough to kill the feedback.

The notch control can also be used as an EQ knob. A slight cut between D and B

(around 200Hz) can clarify a boomy or muddy tone, and slight boosts in this

range will give a thin-sounding guitar more body and acoustic sound. (see also:

Invert Switch)

C. Midrange control (40 0Hz to 1.6kHz) and tune knob: Sweeps from the

upper warmth frequencies to the nasal range of sound. Boost at 400 for more

warmth, cut at .8k-1.6k for less nasal quality. Many acoustic guitars have an

excess 1kHz when amplified. A 3 to 6 dB cut is often good here.

D. Presence control (5kHz): Affects "sss" sounds, cymbal sizzle, brightness. Cut

here to remove PA horn "glare" or boost to add life to a dull speaker.

E. Treble control (10kHz): The very highest frequencies, "air" or "frosting".

F: Battery status LED: Stays on when unit is on and then flashes when the

battery is low. The LED will start flashing when the battery reaches 6 volts.

When it reaches 5 volts, it will stop flashing.

G. Volume control: Unlike gain, whose adjustment will affect the character and

personality of the sound, the volume simply controls the amount of signal that

gets out of the box. The Para Acoustic D.I. will likely be the quietest thing in

your signal chain. So for the best system signal to noise ratio, we recommend

that you run the volume as high as you can without causing the PA to distort.

H. External battery access compartment: For quick and easy battery changes.

I. Balanced XLR output: A standard, post EQ/effects, balanced low impedance

output. Plug it into the board with a microphone cable or stage/studio snake. If your board provides 48V phantom power on the XLR cable, the

Para Acoustic D.I. will run on it instead of the battery. It's a good idea to keep a battery in the unit as a backup even when using phantom power. If