Casio CTX-5000 Manual

Casio Ikke kategoriseret CTX-5000

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EN/ES
CTX3000-ES-1B
USER’S GUIDE
Safety Precautions
Before trying to use the Digital Keyboard, be sure to read the separate “Safety Precautions”.
Please keep all information for future reference.
GUÍA DEL USUARIO
Precauciones de seguridad
Antes de intentar usar el teclado digital, asegúrese de leer las “Precauciones de seguridad” separadas.
Guarde toda la información para futuras consultas.
About Music Score data
You can use a computer to download music score data from the CASIO Website. For more information, visit the
URL below.
http://world.casio.com/
Acerca de los datos de partituras
Puede utilizar un PC para descargar los datos de partituras desde el sitio web de CASIO. Para obtener más
información, visite la siguiente URL.
http://world.casio.com/
CT-X5000
CT-X3000
EN-2
General Guide EN-4
Preparing the Music Stand . . . . . . . . . . . . . . . . . . . EN-7
Returning the Digital Keyboard to
Its Factory Default Settings . . . . . . . . . . . . . . . . . EN-7
Preparing a Power Supply EN-8
Using the AC Adaptor . . . . . . . . . . . . . . . . . . . . . . . EN-8
CT-X3000: Using Batteries . . . . . . . . . . . . . . . . . . . EN-9
Turning Power On or Off . . . . . . . . . . . . . . . . . . . . . EN-9
Adjusting Display Contrast . . . . . . . . . . . . . . . . . . EN-10
Connecting to Audio Equipment EN-11
Digital Keyboard Audio Output . . . . . . . . . . . . . . . EN-11
Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . EN-11
Outputting Keyboard Notes to
Audio Equipment . . . . . . . . . . . . . . . . . . . . . . . . EN-12
Playing an External Device
from the Digital Keyboard . . . . . . . . . . . . . . . . . EN-13
CT-X5000: Outputting Sound
from a Microphone . . . . . . . . . . . . . . . . . . . . . . . EN-13
Operations Common to All Modes EN-14
About this manual . . . . . . . . . . . . . . . . . . . . . . . . . EN-14
Numeric Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-14
Other Functions of bm Number Keys . . . . . . . . . . EN-14
4 CATEGORY Button. . . . . . . . . . . . . . . . . . . . . EN-15
Text Character Input . . . . . . . . . . . . . . . . . . . . . . . EN-15
FUNCTION Indicator. . . . . . . . . . . . . . . . . . . . . . . EN-16
Listening to Demo Play EN-17
Playing on the Keyboard EN-18
Selecting a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . EN-18
Sounding Multiple Tones (Layer and Split) . . . . . . EN-19
Selecting an Effect for a Tone
(Reverb, Chorus, Delay) . . . . . . . . . . . . . . . . . . EN-22
Using Equalization . . . . . . . . . . . . . . . . . . . . . . . . EN-25
Using the Metronome . . . . . . . . . . . . . . . . . . . . . . EN-27
Sounding Arpeggio Phrases Automatically
(Arpeggiator) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-27
Changing Keyboard Response to
Touch Pressure (Touch Response) . . . . . . . . . . EN-29
Controlling Sounds EN-29
Using a Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-29
Sustain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-32
Sliding Smoothly Between Pitches
(Portamento) . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-32
Using the Pitch Bend Wheel . . . . . . . . . . . . . . . . . EN-33
CT-X5000: dt MODULATION/
ASSIGNABLE button . . . . . . . . . . . . . . . . . . . . . EN-33
Changing the Pitch in Semitone Steps
(Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-35
Changing the Pitch of Each Part in
Octave Units (Octave Shift) . . . . . . . . . . . . . . . . EN-35
Performing Master Digital Keyboard and
Individual Part Pitch Adjustment . . . . . . . . . . . . EN-37
Selecting a Scale . . . . . . . . . . . . . . . . . . . . . . . . . EN-37
Playing a Built-in Song or a Song on a
USB Flash Drive (Song Bank Mode) EN-39
Selecting a Built-in Song for Playback . . . . . . . . . .EN-39
Looping Playback of Specific Song
Measures (A-B Repeat). . . . . . . . . . . . . . . . . . . .EN-40
Playing Back with One Hand’s Part Muted . . . . . . .EN-40
Playing Back a Song from a USB Flash Drive . . . .EN-42
Playing Back an Audio File on a
USB Flash Drive (Audio Mode) EN-42
Using Auto Accompaniment (Rhythm Mode) EN-43
Selecting a Rhythm. . . . . . . . . . . . . . . . . . . . . . . . .EN-43
Using Auto Accompaniment . . . . . . . . . . . . . . . . . .EN-44
Changing Auto Accompaniment Speed (Tempo) . .EN-46
Creating a Song with an Auto Accompaniment
(Accompaniment Pattern) . . . . . . . . . . . . . . . . . .EN-47
Starting and Stopping Auto Accompaniment
with the Accompaniment Keyboard
(Synchro Start, Synchro Stop). . . . . . . . . . . . . . .EN-48
Changing Accompaniment Keyboard Settings . . . .EN-48
Advanced Split Settings . . . . . . . . . . . . . . . . . . . . .EN-50
Using Recommended Tones and Tempos
(One-Touch Presets) . . . . . . . . . . . . . . . . . . . . . .EN-52
Adding Harmony to Melody Notes
(Auto Harmonize) . . . . . . . . . . . . . . . . . . . . . . . .EN-52
Using Music Presets EN-53
Using Phrase Pads EN-54
Changing to Another Phrase Set . . . . . . . . . . . . . .EN-54
Starting and Stopping Phrase Playback . . . . . . . . .EN-55
Configuring Phrase Playback Setups . . . . . . . . . . .EN-56
Recording a Phrase . . . . . . . . . . . . . . . . . . . . . . . .EN-57
Configuring Phrase Recording Settings . . . . . . . . .EN-58
Managing Phrase Sets . . . . . . . . . . . . . . . . . . . . . .EN-58
Editing a Phrase . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-59
Muting Specific Parts (Part Mode) EN-62
Turning a Part On or Off . . . . . . . . . . . . . . . . . . . . .EN-62
Part On/Off Function Part Groups . . . . . . . . . . . . .EN-63
Using the Mixer EN-64
Mixer Operation . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-64
List of Parts for Each Mixer Part Group . . . . . . . . .EN-65
Advanced Mixer Settings . . . . . . . . . . . . . . . . . . . .EN-66
Registering and Restoring a Setup
(Registration) EN-67
Registering a Setup . . . . . . . . . . . . . . . . . . . . . . . .EN-68
Recalling a Registered Setup . . . . . . . . . . . . . . . . .EN-69
Using a Pedal to Cycle Through Multiple Setups
(Registration Sequence) . . . . . . . . . . . . . . . . . . .EN-70
Editing a Tone (User Tones) EN-71
Creating a User Tone . . . . . . . . . . . . . . . . . . . . . . .EN-71
Tone Editing Item List. . . . . . . . . . . . . . . . . . . . . . .EN-74
Contents
EN-5
General Guide
• This manual uses the numbers and names below to refer to buttons, keys, and controllers.
1P (Power) button
2VOLUME knob
3Display
4CATEGORY button
5TONE button
6RHYTHM button
7SONG BANK, $AUDIO button
8RECORD/STOP, AUDIO PLAY/STOP button
9PART, $MIXER button
bk FUNCTION, SET, $EDIT button
bl Dial
bm Number keys
bn [–], [+] keys
bo INTRO, PART SELECT button
bp VARIATION/FILL-IN 1, REPEAT button
bq VARIATION/FILL-IN 2, A-B button
br VARIATION/FILL-IN 3, sREW button
bs VARIATION/FILL-IN 4, dFF button
bt ENDING/SYNCHRO START, kPAUSE button
ck START/STOP, PLAY/STOP button
cl SYNCHRO STOP button
cm ACCOMP, $MUSIC PRESET button
cn FREEZE button
co BANK button
cp STORE button
cq PHRASE PAD buttons
cr STOP button
cs REGISTRATION buttons
ct METRONOME, $BEAT button
dk TEMPO buttons
dl TAP TEMPO button
dm PORTAMENTO button
dn SUSTAIN button
do AUTO HARMONIZE/ARPEGGIATOR,
$TYPE button
dp SPLIT, $SPLIT POINT button
dq UPPER LAYER, $LOWER LAYER button
dr OCTAVE button
ds TRANSPOSE buttons
dt MODULATION/ASSIGNABLE button
(CT-X5000 only)
ek PITCH BEND wheel
el CHORD root names
em Percussion instrument list
CT-X5000
en TONE GROUP SELECT button
eo TONE Category buttons
ep RHYTHM GROUP SELECT button
eq RHYTHM Category buttons
CT-X3000
en Tone list
eo Rhythm list
EN-7
General Guide
■Display
Tone indicator
Rhythm indicator
Song Bank indicator
Music Preset indicator
Number/setting value display (left), name display (right)
Tempo, measure, beat
Keyboard part indicators
Chord name
Auto Accompaniment indicators
Mixer info display area
Registration display, event edit display
*Other Indicators
There are two ways to reset the Digital Keyboard to its default out deleting settings: a “setting reset” that initializes settings only with
data, and a “factory reset” that initializes settings and deletes all data, returning the Digital Keyboard to the state it was in when it
left the factory.
For details, see “Batch Deleting Data from Digital Keyboard Memory” (page EN-118).
Preparing the Music Stand
Returning the Digital Keyboard to Its Factory Default Settings
 
 
*
* * *
Music stand
EN-8
Your Digital Keyboard uses an AC adaptor for power.
• Though the CT-X3000 supports battery operation, use of
an AC adaptor is generally recommended.
Make sure that you use only the AC adaptor specified for this
Digital Keyboard. Use of a different type of AC adaptor can
cause malfunction.
• Never connect the AC adaptor (JEITA Standard, with
unified polarity plug) that comes with this Digital
Keyboard to any other device besides this Digital
Keyboard. Doing so creates the risk of malfunction.
• Be sure to turn off Digital Keyboard power before
connecting or disconnecting the AC adaptor.
• The AC adaptor will become warm to the touch after
very long use. This is normal and does not indicate
malfunction.
• Note the following important precautions to avoid
damage to the power cord.
During Use
• Never pull on the cord with excessive force.
• Never repeatedly pull on the cord.
• Never twist the cord at the base of the plug or connector.
During Movement
• Before moving the Digital Keyboard, be sure to unplug
the AC adaptor from the power outlet.
During Storage
• Loop and bundle the power cord, but never wind it
around the AC adaptor.
• Never insert metal, pencils, or any other objects into
the product’s DC24V (CT-X5000) or DC12V (CT-X3000)
terminal. Doing so creates the risk of accident.
• Do not try to use the power cord that comes with the
product with another device.
• Use the AC adaptor so its label surface is pointed
downwards. The AC adaptor becomes prone to
emitting electromagnetic waves when the label surface
is facing upwards.
• Plug the AC adaptor into a power outlet that is close to
the Digital Keyboard. This lets you immediately unplug
from the power outlet should any problem occur.
• The AC adaptor is intended for indoor use only. Do not
leave it in a location where it can become wet. Also, do
not place a vase or any other container of liquid on the
AC adaptor.
• Make sure that the AC adaptor does not become
covered with a newspaper, table cloth, curtain, or any
other type of fabric.
• If you do not plan to use the Digital Keyboard for a long
time, unplug the AC adaptor from the power outlet.
• The AC adaptor cannot be repaired. If your AC adaptor
malfunctions or becomes damaged, you need to
purchase a new one.
• AC Adaptor Usage Environment
Temperature: 0 to 40°C
Humidify: 10% to 90%RH
• Output Polarity: &
Preparing a Power Supply
Using the AC Adaptor
CT-X5000: Connecting the AC Adaptor
Specified AC Adaptor: AD-E24250LW
(JEITA Standard plug)
CT-X3000: Connecting the AC Adaptor
Specified AC Adaptor: AD-A12150LW
(JEITA Standard plug)
EN-19
Playing on the Keyboard
You can split the keyboard into left and right area and assign
different tones to each area, and also layer two tones to play
at the same time. Split and layer can be used at the same
time, which means that you perform with up to four keyboard
parts (UPPER 1, LOWER 1, UPPER 2, LOWER 2) at the
same time as shown in the illustration below.
■ Keyboard Part Indicators
You can determine the current split/layer status by checking
the keyboard part indicators in the upper left corner of the
display. The keyboard parts whose indicators are shown will
sound when you play on the keyboard.
• You can adjust the volume level, effect intensity, and other
settings for each part. For details, see “Using the Mixer”
(page EN-64).
• If you use DSP tones for multiple parts, tone effects will be
removed and tone quality may change.
1.
After confirming that the part indicator in the
upper left corner of the display looks like
, select a tone.
• This will be the UPPER 1 part tone.
2.
Press dp SPLIT.
• This will display the [L1] indicator, and will move to
the right of the [L1]. This indicates you can select the
LOWER 1 part tone.
3.
Select the tone you want to assign to
LOWER 1.
4.
Play something on the keyboard.
• For information about how to change the tone
assigned to each part, see “To change the tones
assigned to each split/layer part” (page EN-21).
5.
To cancel a split (return the entire keyboard to
the UPPER 1 part), press dp SPLIT.
This causes the [L1] indicator to disappear.
Sounding Multiple Tones (Layer
and Split)
LOWER 1 UPPER 1
UPPER 2
( )UPPER LAYER
LOWER 2
( )LOWER LAYER
To split the keyboard between two tones
(Split)
Displayed
Controlling Sounds
EN-32
■Connectable Expression Pedals
You can connect a commercially available expression pedal
that satisfies the specifications below to the fp PEDAL2/
EXPRESSION jack. Use of a pedal whose operation has
been confirmed (see below) is recommended.
• Maximum resistance value: 10kΩ±20% to 50kΩ±20%
• Note that pedal polarity depends on the manufacturer. To
configure the pedal polarity type setting, perform the
procedure under “To connect a pedal to the fp PEDAL2/
EXPRESSION jack” (page EN-30).
*Operation Confirmed Pedals
Roland EV-5 (Set minimum volume to 0.)
KURZWEIL CC-1
FATAR VP-25, VP-26
Sustain extends the reverberation of a note to produce rich
resonance.
1.
Press dn SUSTAIN.
This displays the [SUSTAIN] indicator.
• The sustain effect (note sustained even after the key is
released) is applied to notes played on the keyboard
while the [SUSTAIN] indicator is displayed.
2.
To disable sustain, press dn SUSTAIN and
confirm that the [SUSTAIN] indicator
disappears.
• You can configure settings for the keyboard tones of each
part that control how the sustain effect is applied. Perform
the procedure under “To configure function settings with the
bk FUNCTION button” (page EN-112) and configure the
following setting: Controller (Cntrller) 3 Sustain (Sustain)
(page EN-113).
Portamento makes it possible to slide smoothly between
notes as is done with string and woodwind instruments.
1.
Press dm PORTAMENTO.
This displays the [PORTAMENTO] indicator.
• While the above indicator is displayed, sequentially
pressing two keyboard keys causes the first pitch to
slide smoothly into the next.
2.
To disable portamento, press
dm PORTAMENTO and confirm that the
[PORTAMENTO] indicator is not displayed.
• You can configure settings for the keyboard tones of each
part that control the speed of the slide between pitches
when dm PORTAMENTO is pressed. Perform the
procedure under “To configure function settings with the
bk FUNCTION button” (page EN-112) and configure the
following setting: Controller (Cntrller) 3 Portamento
(Portamnt) (page EN-113).
Sustain
Sliding Smoothly Between
Pitches (Portamento)
Displayed
Displayed
EN-35
Controlling Sounds
5.
Use bn [–] and [+] or the bl dial to specify a
DSP module.
6.
Use the [1] (V) and [3] (W) bm number keys
to display “DSPParam” (the target DSP
parameter).
This displays the name of the first parameter of the DSP
module you selected in step 5.
7.
Use bn [–] and [+] or the bl dial to display the
parameter you want to change when
dt MODULATION/ASSIGNABLE is pressed.
8.
Use the [1] (V) and [3] (W) keys to display
“DSPValue” (value when DSP is turned on).
9.
Use bn [–] and [+] or the bl dial to change the
setting value applied when dt MODULATION/
ASSIGNABLE is pressed.
10.
When the setting is the way you want, long-
press the [4] (EXIT) bm number key to exit the
setting screen.
• The assigned DSP modules depend on the tone. To check
the DSP modules for each tone, perform the procedure
under “To use DSP editing to edit an effect” (page EN-72).
The transpose feature lets you raise or lower the overall pitch
of the Digital Keyboard in semitone steps. You can use this
feature to adjust keyboard pitch to a key that better matches a
vocalist, another musical instrument, etc.
1.
Press the ds TRANSPOSE [w] or [q] button.
This displays “Trans.”
• You can change the pitch of the keyboard within the
range of –12 to 00 to +12.
• While “Trans.” is displayed, you can use the bm
number keys, dial to change bn [–] and [+], or the bl
the setting value.
• Pressing bk FUNCTION or not performing an
operation for some time causes “Trans.” to disappear.
• The [TRANSPOSE] indicator will be displayed while the
transpose setting is something other than 0 (zero).
Octave Shift lets you raise or lower the pitch of the keyboard
in octave units. You can configure individual octave shift
settings for each of the keyboard parts* (UPPER 1,
LOWER 1, UPPER 2, LOWER 2).
• You can also specify the number of octaves to shift for each
part.
• With Quick Octave Shift, you can quickly shift octaves in
accordance with settings that are pre-configured for a part.
*See “Sounding Multiple Tones (Layer and Split)” (page
EN-19).
• The Octave Shift setting changes automatically when some
tones are selected. For details, refer to the “Octave Shift”
column of the tone list in the separate “Appendix”.
• The Auto Harmonize (page EN-52) sound depends on the
UPPER 1 part setting.
E Q G a i n
Changing the Pitch in Semitone
Steps (Transpose)
To change the pitch in semitone units
Changing the Pitch of Each Part
in Octave Units (Octave Shift)
Displayed
EN-37
Controlling Sounds
Use the procedure below to perform master Digital Keyboard
pitch adjustment. When making adjustments, the A4 note (A
above middle C) is the tuning standard.
1.
Press bk FUNCTION.
2.
Use the [1] (V) and [3] (W) bm number keys
to display “Tune”, and then press [6] (ENTER).
This displays “MstrTune”.
3.
Use the bm number keys, bn [–] and [+], or the
bl dial to change the setting value.
• The setting range is 415.5 to 465.9 Hz (Default: 440.0
Hz).
• Use the bm number keys to input integers.
• You can use bn [–] and [+] or the bl dial to change
the frequency in 0.1Hz steps
4.
When the setting is the way you want, long-
press the [4] (EXIT) bm number key to exit the
setting screen.
When using layer and split, you can individually fine-tune the
pitch of each part (UPPER 1, LOWER 1, UPPER 2,
LOWER 2).
Perform the procedure under “To configure function settings
with the bk FUNCTION button” (page EN-112) and configure
the following settings: Tuning (Tune) 3 Part Coarse Tune
(PrtCoars) and Part Fine Tune (Prt Fine) (page EN-115).
• Part coarse tuning changes the pitch in semitone steps,
while part fine tuning adjusts pitch in cent units.
• The Auto Harmonize (page EN-52) sound depends on the
UPPER 1 part setting.
You can select from among 17 different scales, including
those that a suitable for classical music of specific eras,
Arabian music, etc.
■Scale List
• You can fine tune the pitch of each note of the scale (from
C to B) in one-cent units. After selecting one of the preset
scales, you can modify its tuning as desired. For details,
see “To fine tune a scale (Scale Fine Tuning)” (page
EN-38).
• You can fix the scale of Auto Accompaniment as equal
temperament, regardless of the currently selected scale. To
do so, use the procedure under “To change the scale
setting used for Auto Accompaniments” to turn off the
Accompaniment Scale (AcompScl) setting (page EN-38).
Performing Master Digital
Keyboard and Individual Part
Pitch Adjustment
To fine tune a pitch (Tuning)
To fine tune the pitch of each keyboard part
(Part Coarse Tuning, Part Fine Tuning)
Selecting a Scale
No. Scale name Display
01 Equal Temperament Equal
02 Pure Major PureMajr
03 Pure Minor PureMinr
04 Pythagorean Pythagor
05 Kirnberger 3 Kirnbrg3
06 Werckmeister Wercmeis
07 Mean-Tone MeanTone
08 Rast Rast
09 Bayati Bayati
10 Hijaz Hijaz
11 Saba Saba
12 Dashti Dashti
13 Chahargah Chaharga
14 Segah Segah
15 Gurjari Todi GujrTodi
16 Chandrakauns Cndrkuns
17 Charukeshi Carukesi
EN-45
Using Auto Accompaniment (Rhythm Mode)
5.
Use the dk TEMPO [w] and [q] buttons to
change the tempo setting.
• You can also configure the tempo setting before
starting Auto Accompaniment.
• For information about the tempo setting, see
“Changing Auto Accompaniment Speed (Tempo)”
(page EN-46).
6.
Play other chords with your left hand as you
play the melody with your right hand.
• You can use “CASIO CHORD” or other simplified
chord fingering modes to play chords. See “To select a
chord fingering mode” (page EN-50).
• You can change the accompaniment using buttons
bp VARIATION/FILL-IN 1 to bs VARIATION/
FILL-IN 4. See “Creating a Song with an Auto
Accompaniment (Accompaniment Pattern)” (page
EN-47).
7.
To stop Auto Accompaniment, press
ck START/STOP.
• Pressing bt ENDING/SYNCHRO START instead of
ck START/STOP will play an ending pattern before
stopping the Auto Accompaniment. See “Creating a
Song with an Auto Accompaniment (Accompaniment
Pattern)” (page EN-47).
• With the above procedure, you finger chords to be played
by the Auto Accompaniment. You also can use music
presets to sound Auto Accompaniment using a chord
progression based on the music genre you want to perform,
without inputting chords. For details, see “Using Music
Presets” (page EN-53).
■ Auto Accompaniment Parts and the ACCOMP
Indicator
The Digital Keyboard’s Auto Accompaniment sounds up to
eight parts (Drums, Percussion, Bass, Chords 1 to 5)
simultaneously. The [ACCOMP] indicator indicates whether
only percussion parts (Drums, Percussion) will sound, or all
accompaniment parts will sound. Each press of
cm ACCOMP toggles the [ACCOMP] indicator between
displayed and not displayed.
• When the [ACCOMP] indicator is not displayed, only the
rhythm (drum and percussion) of the accompaniment
pattern sounds.
• When the [ACCOMP] indicator is displayed, bass, chords,
and other parts sound in accordance with the chord played
on the accompaniment keyboard.
• You can use the procedure under “Muting Specific Parts
(Part Mode)” (page EN-62) to quickly and easily mute or
unmute multiple parts.
• You can also make fine-adjustments to the volume, effect
level, and other settings for each part. For details, see
“Using the Mixer” (page EN-64).
Perform the procedure under “To configure function settings
with the bk FUNCTION button” (page EN-112) and configure
the following setting: Auto Accompaniment volume
(AcompVol) (page EN-115).
To adjust the balance between Auto
Accompaniment and keyboard volume
Using Auto Accompaniment (Rhythm Mode)
EN-46
There are two ways to change the tempo.
• Specifying a beats-per-minute value
• Tapping a beat with the dl TAP TEMPO button (tap input)
The current tempo value setting is always displayed in the
upper right corner of the display.
The tempo value is always shown in combination with a note
value. The example above indicates 120 quarter note beats
per minute.
1.
Change the note value as required.
• See “To change the displayed note value” below.
2.
Use the dk TEMPO [w] and [q] buttons to
change the tempo setting.
• The allowable tempo value setting range depends on
the currently displayed note value as shown in the
table below.
• When the note value is a quarter note, the tempo value
corresponds to the actual number of beats per minute.
When the note value is an eighth note the number of
beats per minute is twice that of the tempo value.
When the note value is a half note, the number of
beats is half that of the tempo value.
1.
Long-press dl TAP TEMPO until the
displayed note value changes.
• Each long-press of dl TAP TEMPO cycles through
the note value settings in the sequence shown below.
1.
Tap dl TAP TEMPO multiple times at as
steady a beat as possible.
This will set a tempo that is as close as possible to the
timing of the beat you tap.
• It helps to use this method to specify the approximate
tempo in combination with a procedure like the one
under “To specify a tempo value” (page EN-46).
• A tempo value that is input using this method has no
relation to the currently displayed note value. Depending on
the rhythm selected with the above operation, a quarter
note or eighth note tempo value is input.
You can configure settings to automatically start rhythm play
when you specify a tempo using the procedure under “To set
the tempo by tapping a beat” above.
To do so, perform the procedure under “To configure function
settings with the bk FUNCTION button” (page EN-112) and
enable the following setting: Other (Other) 3 Tap rhythm
start (Tap Rhy) (page EN-117).
Changing Auto Accompaniment
Speed (Tempo)
Note Value Indicator and Tempo Value
To specify a tempo value
Note Value Tempo Value Range
Quarter note (2) 20 to 255
Eighth note (6) 40 to 510
Half note (1) 10 to 128
Dotted quarter note (2.) 13 to 170
T E
M
PO
To change the displayed note value
Quarter note (2) Eighth note (6)
Dotted quarter note (2.) Half note (1)
To set the tempo by tapping a beat
To start rhythm play with the dl TAP
TEMPO button
EN-51
Using Auto Accompaniment (Rhythm Mode)
● Chord Point
The illustration below shows a keyboard with a chord point
specified. The LOWER part keyboard range is not affected in
this case.
• While the Chord Input Priority Mode (page EN-52) is turned
on, the LOWER part tone does not sound in the area where
the LOWER part keyboard and accompaniment keyboard
overlap.
1.
Hold down dp SPLIT until “Split Pt” is
displayed.
2.
Use the [1] (V) and [3] (W) bm number keys
to display “Lower Pt”.
3.
Use bn [–] and [+] or the bl dial to specify the
note name of the lower point note (the lower
limit of the UPPER part keyboard).
• You can also specify the lower point by holding down
dp SPLIT and pressing the keyboard key where you
want the lower point to be.
• You cannot specify a lower point that is lower than (to
the left of) the chord point. If you do, the chord point
will be forced to be the same key as the lower point.
4.
When the setting is the way you want, long-
press the [4] (EXIT) bm number key to exit the
setting screen.
1.
Hold down until “Split Pt” is dp SPLIT
displayed.
2.
Use the [1] (V) and [3] (W) bm number keys
to display “Chord Pt”.
3.
Use bn [–] and [+] or the bl dial to specify the
note name of the chord point (page EN-51).
• You can also specify the chord point by holding down
dp SPLIT and pressing the keyboard key where you
want the chord point to be.
• You cannot specify a chord point that is higher than (to
the right of) the chord point. If you do, the lower point
will be forced to be the same key as the chord point.
4.
When the setting is the way you want, long-
press the [4] (EXIT) bm number key to exit the
setting screen.
To specify the lower point
B 3 I C 4
To specify the chord point
B 3 I C 4
Chord point note number
Chord point note name
EN-55
Using Phrase Pads
Before playing back a phrase, you must first change to the
phrase set where the phrase is located if it is not already
assigned to the phrase pads. For details, see “Changing to
Another Phrase Set” (page EN-54).
1.
Press one of the phrase pads. For example,
press cq PHRASE PAD [P1].
This starts playback of Phrase 1 and displays the [P1]
indicator.
2.
Press a different phrase pad. For example,
press cq PHRASE PAD [P3].
This starts playback of Phrase 3, and plays Phrase 1 and
Phrase 3 at the same time. In addition to the [P1]
indicator, the [P3] indicator also appears.
3.
To stop playback of only one of the phrases,
hold down cr STOP and press the
cq PHRASE PAD where the phrase you want
to stop is assigned.
For example, holding down and pressing cr STOP
cq PHRASE PAD [P1] will stop playback of Phrase 1
and allow Phrase 3 to continue sounding. The [P1]
indicator disappears at this time.
4.
To stop phrase playback while a single phrase
is playing, press cr STOP.
• You can also stop phrase playback by performing the
same operation as that in step 3.
• Pressing the pad of a phrase that is playing back will restart
the phrase from the beginning.
1.
To stop phrase playback while a multiple
phrases are playing, press cr STOP.
• The procedure below starts phrase playback and, at the
same time, starts Auto Accompaniment in accordance with
the operation (pressing , ck START/STOP or bo INTRO
etc.) performed in step 2.
1.
While holding down bt ENDING/SYNCHRO
START, press the phrase pad (for example,
cq PHRASE PAD [P1]) whose phrase you want
to start playing along with Auto
Accompaniment.
• If you want playback of multiple phrases to start
simultaneously, repeat the above operation for the
other phrases as well.
• To cancel phrase and Auto Accompaniment
simultaneous start standby, hold down bt ENDING/
SYNCHRO START as you press the phrase pad you
want to cancel.
2.
Press ck START/STOP to start Auto
Accompaniment.
This simultaneously starts Auto Accompaniment and
phrase playback.
Starting and Stopping Phrase
Playback
To start and stop phrase playback
To stop playback of all phrases
To synchronize phrase playback with Auto
Accompaniment
Flashing
EN-64
Your Digital Keyboard produces Auto Accompaniment and
keyboard play notes using multiple parts. You can use the
mixer function to make fine-adjustments to the volume, effect
level, and other settings for each of these parts.
• You can quickly and easily mute and unmute parts. For
details, see “Muting Specific Parts (Part Mode)” (page
EN-62).
1.
Long press 9PART (MIXER) until the [MIXER]
indicator appears.
This causes the mixer info display area to change as
shown in the example below.
• The [MIXER] indicator on the display indicates that the
Digital Keyboard is in the Mixer Mode.
• The displayed part group indicator ([KEYBOARD] in
this example) indicates the KEYBOARD part group
(hand-played performance part) currently being
affected by mixer operations. The flashing mixer part
indicator ( in this example) indicates the part
(UPPER 1 part in the case of the KEYBOARD part
group) whose setting is currently being configured. For
details about part groups and parts, see “List of Parts
for Each Mixer Part Group” (page EN-65).
2.
Select the part group whose mixer settings you
want to configure.
(1) Press 9PART and confirm that the indicator lamp
to the left of the button is lit.
(2) Use bn [–] and [+] to select the part group whose
settings you want to configure.
*1 is displayed on the right end of the mixer part
indicators. Mixer part indicator is also displayed
at this time.
(3) After selecting a part group, press 9PART and
confirm that the indicator lamp to the left of the button
is unlit.
3.
Use the [1] (V) and [3] (W) bm number keys
to select the part whose settings you want to
configure with the mixer.
• Pressing [3] (W) while the rightmost part is selected
or [1] (V) while the leftmost part is selected will scroll
to another part group.*
2
*2 Pressing [3] (W) while Part 8 of the SONG SOLO or
MIDI IN part group is selected changes to display of
parts 9 to 16 of the same part group. Pressing [1]
(V) while Part 9 is selected changes to display of
parts 1 to 8.
• You can use the number keys to quickly select bm
parts. See “To select parts with the bm number keys”
(page EN-65).
4.
Use the [2] (w) and [5] (q) bm number keys to
select the item whose setting you want to
configure.
This displays a level indicator of each part setting value
for the currently selected setting item.
• For details about setting items, see the “Advanced
Mixer Settings” (page EN-66).
5.
Use bn [–] and [+] or the bl dial to change the
setting value.
Using the Mixer
Mixer Operation
To configure mixer settings
To select this part group: Displays this indicator:
KEYBOARD Part Group KEYBOARD
RHYTHM Part Group RHYTHM
SONG SYSTEM Part Group SONG and SYSTEM
SONG SOLO Part Group SONG and SOLO
MIDI IN Part Group MIDI IN
External Part Group
(Microphone Input)
E*1
V o l u
m
e
Current setting value Setting item name
EN-69
Registering and Restoring a Setup (Registration)
1.
As required, press cn FREEZE to toggle the
freeze function between on and off.
• The indicator lamp is lit when the function is on, and
unlit when it is off.
• For details about the freeze function, see “Freeze
Function” below.
2.
Use co BANK to select the bank that contains
the setup you want to recall.
3.
Press one of the cs REGISTRATION buttons
([1] to [8]) to select the area whose setup you
want to recall.
This causes the Digital Keyboard’s settings to change in
accordance with the setup you recalled.
Recalling a registered setup normally overwrites all of the
settings shown under “Registration Setting Items” (page
EN-68).
You can also use the freeze function to specify particular
settings that should not be overwritten when a setup
registration is recalled.
Perform the procedure under “To configure function settings
with the bk FUNCTION button” (page EN-112) and enable or
disable the items on each sub-menu that appears when you
perform the following operation: Registration Memory (Reg
Mem) 3 Registration Memory Freeze Target (RMFrzTgt)
(page EN-116).
Setting items that can be specified are shown below.
• Under initial default settings, Rhythm and Tempo are on
while all other settings are off.
Recalling a Registered Setup
To recall a setup
Freeze Function
Display Setting that is not changed when a
setup is recalled
Rhythm Rhythm Number, ACCOMP on/off,
Synchro start/stop status
Tempo Tempo
Tone Tone number, Layer (on/off), Split (on/off),
Octave Shift, KEYBOARD part group mixer
settings
Split Pt Split Point, Lower Point, Chord Point,
Chord Input Priority Mode
AHar/Arp Auto Harmonize/Arpeggiator
Trans. Transpose
Scale Scales
Touch Touch Response
Effect Effect type (Reverb, Chorus, Delay on/off)
PartTune Coarse Tune, Fine Tune
Phr Pad Phrase Pad
Cntrller Setting items included under Controller
(Cntrller) in the “Function Setting Item List”
(page EN-113).
EN-81
Creating an Auto Accompaniment (User Rhythm)
• The operation shown here is performed as the steps of the
procedures below.
– Step 8 under “To create a totally new rhythm and save it”
(page EN-77)
– Step 8 under “To edit an existing rhythm and save it”
(page EN-79)
1.
Press 8 RECORD/STOP.
This enters recording standby and displays “Recorded”
or “Empty”.
If “Fixed” is displayed here, it means that the currently
selected part cannot be recorded. After a few seconds,
the display will return to what was shown before you
pressed 8 RECORD/STOP.
• For details about these indicators, see “Part Data
Status Indicators” (page EN-82).
• To exit recording standby, press 8 RECORD/STOP.
This causes the [RECORD] indicator to disappear.
2.
Configure recording settings as desired.
• The settings of recording items that you configured in
the past will still be in effect. Items you have not
changed will be configured with their default settings.
For details about setting items, see the “User Rhythm
Recording Settings” (page EN-82).
• To configure settings, perform the steps below.
(1) Long-press 8 RECORD/STOP until “Quantize”
appears.
(2) Use the [1] ( number keys to V) and [3] (W) bm
display the menu for the changes you want to make.
(3) Use bn [–] and [+] or the bl dial to change the
setting value.
(4) When settings are the way you want, press the
8 RECORD/STOP again.
3.
Practice what you will play as required.
• To sound the parts of the accompaniment pattern and
practice what you plan to play on the keyboard before
actually recording it, perform the procedure below.
(1) Long-press cm ACCOMP until the [ACCOMP]
indicator starts to flash.
This enters the Rehearsal Mode.
• The Rehearsal Mode causes the keyboard to
operate the same way as it does during recording,
without recording anything.
(2) Press ck START/STOP.
This plays back data that is already recorded to each
part of the accompaniment pattern.
• The bass part and chord parts 1 through 5 play in
the key of C Major. The key and the chord types
do not change even if you play something on the
accompaniment keyboard.
(3) Play on the keyboard in time with the playback.
Keyboard play will sound using the tone you selected
before entering recording standby.
(4) To exit the Rehearsal Mode, long-press
cm ACCOMP until the [ACCOMP] indicator
disappears from the display.
4.
To start recording, press ck START/STOP.
• The message “Record..” also appears.
• The number of measures and beats are counted up in
the upper right corner of the display. When the final
beat of the length (number of measures) specified for
the accompaniment pattern is reached, the count
restarts from 001:01.
To record keyboard play to each part
Displayed
Measure Beat
EN-87
Creating an Auto Accompaniment (User Rhythm)
■ Chord conversion table (Table)
Recording of each accompaniment pattern is normally performed using C major (root of C, major type). When playing an Auto
Accompaniment, you can use a root other than C and a chord type other than major, if you want. This is accomplished by using a
“chord conversion table” to convert the C major recorded data to another root and/or chord type. Regardless of what root or chord
type you specify, the currently selected chord table is used to make corrections to suit the instrument parts and the type of music
being played in order to ensure musically natural accompaniment.
With this parameter, you can select from among the 19 types of chord conversion tables listed below.
*1 Accompaniment Pattern
*2 For Variation and Fill-in
*3 For Intro and Ending
User Rhythm Part Playback Setting Details
Number Table Name * 1Parts Description
01 Bass Basic * 2Bass Normally used for a bass part.
02 Bass f-root * 2Bass Variation of number 01. Always makes the first note the root note
when changing chords.
03 Bass 7th * 2Bass Used for a bass part recorded with a 7th chord.
04 Bass 7th f-root * 2Bass Variation of number 03. Always makes the first note the root note
when changing chords.
05 Chord Basic * 2Chord Normally used for a chord part.
06 Chord Var2 * 2Chord Used for a chord part that has a tension chord.
07 Chord Var3 * 2Chord When a 7th chord is specified while playing, the 5th note is
converted to a 7th note. In the case of C7, for example, G becomes
Bb
.
08 Chord Var4 * 2Chord Variation of number 05 (Chord Basic).
09 Chord 7th * 2Chord Used for a chord part recorded with a 7th chord.
10 Chord Minor * 2Chord Used for a chord part recorded with a minor chord.
11 Phrase * 2Chord Used for the chord part to which a phrase (such as a major scale)
was recorded.
12 Chord Minor * 2Bass Used for a bass part recorded with a minor chord.
13 Chord Minor f-root * 2Bass Variation of number 12. Always makes the first note the root note
when changing chords.
14 Penta Phrase * 2Chord Used for a chord part recorded with a pentatonic scale phrase.
15 Intro n-minor * 3Bass/chord When a minor chord is specified while playing, converts to a natural
minor.
16 Intro m-minor * 3Bass/chord When a minor chord is specified while playing, converts to a melodic
minor (ascending).
17 Intro h-minor * 3Bass/chord When a minor chord is specified while playing, converts to a
harmonic minor.
18 Intro no Change * 3Bass/chord Recording of original as-is, with no minor/major conversion in
accordance with chord specified while playing.
19 Intro dorian * 3Bass/chord When a minor chord is specified while playing, converts to a dorian
scale.
Creating an Auto Accompaniment (User Rhythm)
EN-88
■ Break Point (Break Pt)
This parameter specifies the key, from C to B, that is the point
at which Auto Accompaniment bass and chord notes drop one
octave.
For example when F is specified as the break point, a C major
chord recorded as C3E3G3 (CEG) becomes D3F #3A3 (DF #A
raised one note each) when D is fingered on the chord
keyboard, E3G #3B3 (EG #B raised one note each) when E is
fingered, and F2A2C3 (FAC dropped one octave) when F is
fingered.
■ Inversion (Invert)
This parameter specifies whether or not chords during Auto
Accompaniment play should mirror inverted forms of the
original chord (EGC and GCE for CEG).
For example, let’s say that the original recorded C major
chord is CEG and an F chord is fingered on the chord
keyboard. If “Off” is selected for this setting, the chord will be
directly converted to FAC. If “On” (or “7th”) is selected, the
chord will be converted to CFA, which is the inverted form that
is nearest to CEG. The transition of chord notes during
playback when “On” (or “7th”) is selected is smaller, so
accompaniment sounds more natural.
Note that you should select “7th” in place of “On” only if “C7”
was specified for the “PlayChrd” setting* when recording the
accompaniment pattern and if you selected “09 (Chord 7th)”
for the chord conversion table.
* For information about “PlayChrd”, see the “User Rhythm
Recording Settings” (page EN-82).
• When selecting “On” (or “7th”) for this setting, make sure
that you select “C” for the “Break Point” (Break Pt) setting.
■ Retrigger (Retrig.)
This parameter specifies how accompaniment pattern play is
affected by a chord change that occurs part way through a
pattern. When “On” is selected, the pattern “retriggers,” which
causes the currently playing note to change to the
corresponding note of the newly fingered chord. When “Off” is
selected, a chord change causes the currently sounding note
to be cut off, and the next note of the pattern of the newly
fingered chord to be played.
■ Bend Range (BndRng)
This parameter specifies the bend range for pitch bend wheel
operation in semitone steps.
1.
While editing a rhythm in the Rhythm Editing
Mode, press cs REGISTRATION [8] (EDIT
MENU).
2.
Use the [1] (V) and [3] (W) bm number keys
to display “Rhythm”, and then press [6]
(ENTER).
This displays “Volume”.
3.
Use the [1] (V) and [3] (W) keys to display
the menu item you want to change.
*1 See “Reverb Effect List” (page EN-23).
*2 See “Chorus Effect List” (page EN-24).
*3 See “Delay Effect List” (page EN-24).
4.
Use bn [–] and [+] or the bl dial to change the
setting value.
5.
Press the [4] (EXIT) bm number key.
Operations Affecting All the
Accompaniment Patterns in a
Rhythm
To configure mixer settings for a rhythm
Item Name
(Display) Description Settings
Volume
(Volume)
Adjusts the overall rhythm
volume.
0 to 127
Reverb Type
(Reverb)
Specifies the reverb type to
be applied to the entire
rhythm.
*1
Chorus Type
(Chorus)
Specifies the chorus type to
be applied to the entire
rhythm.
*2
Delay Type
(Delay)
Specifies the delay type to
be applied to the entire
rhythm.
*3
Using the MIDI Recorder to Record
EN-98
1.
Press 7 SONG BANK.
2.
Use the bm number keys, bn [–] and [+], or the
bl dial to select the number of the song you
want to copy.
3.
Hold down 8 RECORD/STOP until “Song
Clr” appears.
4.
Use the [1] (V) and [3] (W) bm number keys
to display “SongCopy”, and then press [6]
(ENTER).
5.
Use bn [–] and [+], or the bl dial to select the
copy destination song number and then press
[6] (ENTER).
This displays “Sure?”
• If there is already a user recording stored at the song
number you specified as the copy destination, the
message “Replace?” will appear.
6.
Press bn [+] (YES) to execute the copy
operation or bn [–] (NO) to cancel.
• The message “Wait...” remains on the display while
the copy operation is being performed. Do not perform
any operation while this message is on the display.
“Complete” appears on the display after the operation
is complete.
7.
To exit the operation, press the [4] (EXIT) bm
number key.
1.
Press 7 SONG BANK.
2.
Use the bm number keys, bn [–] and [+], or the
bl dial to select the number of the song you
want to delete.
3.
Hold down 8 RECORD/STOP until “Song
Clr” appears.
4.
Press the [6] (ENTER) bm number key.
This displays “Sure?”
5.
Press bn [+] (YES) to delete or bn [–] (NO) to
cancel the delete operation.
6.
To exit the operation, press the [4] (EXIT) bm
number key.
1.
Press 7 SONG BANK.
2.
Use the bm number keys, bn [–] and [+], or the
bl dial to select the number of the song that
contains the track you want to delete.
3.
Hold down 8 RECORD/STOP until “Song
Clr” appears.
4.
Use the [1] (V) and [3] (W) bm number keys
to display “TrkSyClr”.
5.
Use bn [–] and [+], or the bl dial to select the
track you want to delete.
6.
Press the [6] (ENTER) bm number key.
This displays “Sure?”
7.
Press bn [+] (YES) to delete or bn [–] (NO) to
cancel the delete operation.
8.
Repeat steps 5 through 7 above for each of the
tracks you want to delete.
9.
To exit the operation, press the [4] (EXIT) bm
number key.
Copying a Recorded Song,
Deleting a Recorded Song or
Track
To copy a recorded song
To delete a recorded song
To delete a specific track from a recorded
song

Produkt Specifikationer

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Kategori: Ikke kategoriseret
Model: CTX-5000

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Manual på dansk til ctx-5000

  Max Jon Johansen - 14 December 2024

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