ART M-Four Manual

ART Mikrofon M-Four

Læs nedenfor 📖 manual på dansk for ART M-Four (2 sider) i kategorien Mikrofon. Denne guide var nyttig for 8 personer og blev bedømt med 4.5 stjerner i gennemsnit af 2 brugere

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w w w. a r t p r o a u d i o . c o m

The ART M-Four tube condenser microphone is perfect for recording

both critical vocals and instruments. The dual diaphragm multi-pattern

design delivers nine different polar pattern settings allowing the ideal

microphone sound for virtually every recording application.

The M-Four features dual 35mm gold sputtered diaphragms in a

shockmounted capsule. The 12AX7 vacuum tube pre-amp and

capsule is suspended in a solid machined casing to further reduce

tube induced noise.

The included external heavy-duty cradle mount suspension virtually

eliminates vibration and handling noise, while at the same time

safely securing the microphone in any position needed during the

recording process.

The Power Supply & Controls

The M-Four has nine available polar patterns, selectable from the

front panel of the power supply. Rather than limiting the user to only

the three most common patterns (omnidirectional, cardioid, and

figure-8 patterns), the M-Four has three gradient stages between

each of those positions. This allows the artist and recording engineer

far more versatility. In vocal applications where an omnidirectional

pattern isn't quite 'fat' enough, but cardioid is too narrow, you now

have three additional steps to find the right subtle mix between those

two standard patterns. With the M-Four you have the rare

opportunity to use the proximity effect of a cardioid, yet still open up

the microphone to hear some of the natural early reflections of a

good sounding live room.

Care of your M-Four

All large diaphragm condenser microphones are fragile. They do

not like to be exposed to any sharp impact that may stretch or

knock the element out of alignment including being dropped,

tapped, or being blown into. This is especially true of any tube

condenser microphone, including the M-Four.

It is always advisable to use a pop filter when recording vocals not

only to avoid sibilance (overly accentuated 'S', ‘P’ and ‘B’ sounds)

but also to keep excessive moisture off the element.

The outer shell of your mic can be cleaned with a soft damp cloth.

Do not use harsh detergents, solvents, or abrasive materials.

Never immerse any microphone in water .

Understanding Multiple Polar Patterns

An omni-directional pattern will give your mic the ability to pickup

sound from all directions. This is ideal for recording sounds that

emanate from multiple directions, or picking up the source material

as well as the natural ambiance and reverberation of a room.

Omnidirectional patterns also have no proximity effect, or ‘bottom

end enhancement’ as the source gets closer to the microphone.

This makes an omnidirectional pattern ideal for use recording

choirs, string sections, background vocals or acoustic instruments

where a natural ‘open’ tone quality is preferred.

The cardioid pattern is ideal for single instrument or solo vocal use.

This pattern picks up only sound directly in front of the microphone,

and sounds from back and sides of the microphone are rejected.

The cardioid pattern also has the most pronounced proximity

effect, and best off-axis rejection. Bi-directional or figure 8 will hear

sound from both front and back. This is ideal for recording a main

sound while still picking up room ambience from behind or duets

with two vocalists.

The M-Four has three gradient patterns between omnidirectional and

cardioid, and an additional three gradient patterns between cardioid

and figure-8 making for a total of nine available polar patterns. These

additional polar patterns allow a subtle combination of proximity

effect, off-axis rejection, overall EQ or tonal response.

As a tube condenser microphone, the M-Four requires its proprietary

power supply to operate. A subtle recessed LED under the gold

capsule behind the microphone windscreen will illuminate when

power is present at the microphone, and it is operational. The

microphone’s chassis is precision-tooled zinc/aluminum alloy with a

dent resistant stainless-steel wire-mesh windscreen. The included

heavy-duty cradle-mount suspension virtually eliminates vibration

and handling noise, while at the same time safely securing the

microphone in any position needed during the recording process.

The M-Four should always be stored in its protective microphone

‘coffin’ in the aluminum carrying case when not in use.

Other M-Four Features and Accessories

The Constant voltage power supply module - 9-position multi-pattern

selection control power supply module provides omnidirectional,

cardioid and figure-8 patterns with three gradient settings between

each position. Constant voltage ensures quiet operation.

Shockmount Cradle Adaptor - Stops noise from transferring through

the floor and microphone stand to the sensitive microphone capsule.

7-pin XLR shielded microphone cable - Provides clean signal from

microphone while transferring power to drive capsule and preamp

from power supply.

Description

M-Four Mult i-pat te rn St udi o

Tube Cond enser Microphone

Specifications:

Type: Multi-pattern Tube Condenser Microphone

Capsule: 35mm Gold Sputtered Dual Diaphragm

Polar Patterns: Omnidirectional, Cardioid, Figure-8 w/ 6 Gradient Stages

Controls (Microphone Body): -10dB Pad Switch, Low Frequency Roll-Off Switch

Controls (Power Supply): Polar Pattern Selector, Voltage Selector

Frequency Response: 20 -20,000Hz

Sensitivity: 12mv/Pa = 2dB (0dB=1v/Pa 1000Hz)

Impedance: <200 Ohm

Max SPL: 134dB for 0.5% THD

Equivalent Noise Level: 20dB (IEC268-4 A Weight)

Power Requirement: Dedicated Power Supply

Specifications subject to change without notice

Produkt Specifikationer

Mærke:	ART
Kategori:	Mikrofon
Model:	M-Four

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